Archive for the 'Handsewing & Fiber Arts 5-7yrs' Category

Pompom Creatures

Making pompoms can be a project unto itself. Wrapping yarn around your hand over and over again, then tying it in the middle and snipping the loops can provide an hour of simple entertainment for young children. Considering how easy it is to come by inexpensive yarn, this is cheap fun. Raid Aunt Sarah’s closet, ask the lady in the next cubicle who’s always knitting through meetings for her project leftovers, pillage the sale bin at your local yarn store or sign up for the 40% coupon offered by the suburban craft superstore.

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A bowl full of buttons and some cotton yarn took this little pompom project to another level. For my class sample, I glued ears cut from scrap bits of felt and then glued a small piece of yarn into the shape of a mouth. My pompoms are dense little nuggets after a whole lot of snipping and trimming. If you like the loose and floppy look, don’t trim so much.

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The students in this class range from 5-7 years old. For most students, this project required the assistance of an older sibling (we have several who come in to help on a regular basis) or an adult. Tying the yarn around the middle of the pompom is almost impossible to do on your own hand, though it would be manageable if you had a nifty plastic pompom maker

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We braided a tail and tied it to the “belt” around the middle of one pompom. This same belt was used to tie to the two pompoms to each other. Button eyes were sewn through the middle of the smaller pompom. Someone (who shall not be named) sewed eyes to the bigger pompom, but failed to convince her student that this was a creature that could see through its bottom, or a creature that walked upside down. The eyes were moved to the correct position and all was well in the world.

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Some students love sewing buttons, but others are reduced to a puddle of frustrated tears at the mention of the idea. A hot glue gun would make short work of the creature assembly, but since this is a hand sewing class, I left my hot glue at home and helped the students thread their needles. They were giddy with excitement over the adorable creatures they had made. One student opted to make a cat toy by tying a long piece of yarn to his pompom and pulling it around the classroom, happily sweeping up the yarn confetti as he went. Whatever floats your boat, as they say.

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Needlefelting Puppet Faces

This week, students in both of my Family Learning Program clases began a project that will span two weeks.

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Using recycled or upcycled wool fabric harvested from fulled sweaters as their base, these students needlefelted Harrisville wool to create features for puppets. Harrisville is an ideal wool for needlefelting because it has lots of crimp and the fibers are not aligned, as in many rovings sold as a sliver. It also comes in a wide array of colors and can be quickly blended with your fingertips to create even more combinations.

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The students traced a cardboard outline onto two pieces of fulled wool, then cut along the contour lines. Next, they worked on adding faces to one piece of felt. This student is making a cyclops with a red mouth and fangs.

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This student preferred to be the set decorator, creating backgrounds for the puppets he overhead various students describing. The mixed blues were going to be an ocean for another’s mermaid. He offered to make a tree for my sample owl puppet and a cave for the cyclops.

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Adding surface embellishment to fulled fabric is an easy introduction to felting for young children. Working on a foam pad, they can keep track of where their fingers are, reducing the chance of accidental puncture or snapped needles. The best part for many children is the ultimate flexibility of the method. Don’t like that eye placement? Rip it off and put it somewhere else. Don’t like that color? Rip it off and choose another. Can you think of another medium better suited for those paralyzed by commitment anxiety? This is also a perfect way to allow children to experiment with color and texture.

Child-Friendly String Art

Inspired by this project, I decided to introduce a simplified version of nail art to my class. Rather than working with wooden boards, I cut 7″ squares out of corrugated cardboard, then taped two pieces together. Rather than nails, I used small straight pins. The second piece of cardboard prevented the pins from poking out the back, and gave them a little extra stability.

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Before class, I wound 3 yards of crochet thread around cardboard bobbins so we didn’t have to spend a lot of time unwinding thread. The bobbins also made it easier to work around the pins as it was already in a tidy, palm sized bundle.

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Hearts were a popular shape as our class coincided with St. Valentine’s Day.

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 A few of the students in the 5-7 yr old class found the project compelling, working layers and layers of thread around their pins. Most of the class was happy to create a single design. If boxes of valentines weren’t sitting outside the classroom waiting to be examined, the students might have stayed with the project a little longer. 

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The students in the 8-13 yr old class pulled the pins out after finishing their first attempt and rearranged them for a second or third design.20140221-113749.jpg

My sample was a square, but it didn’t take long before students branched out to create letters and more complicated shapes.

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This student spent a long time watching the process before deciding on a design. After observing for most of the class, she placed her pins and started stringing. She stayed after class for a bit, unable to leave it once she was underway. 

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In a moment of synergy, I visited a cousin in her home this week. Look at what she had propped up on the kitchen counter: string art made by her nanny, in the shape of a bird. Fans of the ‘Put a Bird On It’ episode of Portlandia will appreciate the irony as my cousin is a life-long Portland resident.

Stitching Heart Pockets

With St. Valentine’s Day approaching, I planned to tie The Kissing Hand by Audrey Penn to sitched heart pockets, inspired by Molly’s Sketchbook -Sweetheart Charms. Having a physical way to hold onto a parent who is absent can be a great comfort. In the Kissing Hand, a mother raccoon reassures her little one that she will always be there, with a kiss placed in her paw.

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Unfortunately, when it came time to hunt down my copy, it was nowhere to be found. Instead I read Little Red: A Fizzingly Good Yarn by Lynn Roberts, which has nothing to do with hearts, but features a clever boy who negotiates peace in the forest by promising the wolf a jug of ginger ale every week.

My project samples were done with a blanket stitch around the perimeter because I like the tidy look, but I also had my intern make a whip stitch sample for my young students. While many of my students are capable of learning a blanket stitch, it would require a 1:1 student/helper ratio. Should anyone be interested in trying it at home, I think it would be entirely manageable.

Before class, I cut the shapes (two hearts and a triangle for the pocket), and threaded a bunch of needles with cotton floss so we could get right down to sewing.

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These students love to sew. Some were so eager to begin, they grabbed a needle and started sewing running stitches before I could explain the project. Others worked with one of my parent or student helpers and carefully worked delicate whip stitches around the perimeter. Some decided they didn’t want a triangle pocket; they preferred to leave a few stitches missing at the top so the entire heart was the pocket.

One boy was so thrilled with his heart that he decided to make a long loop for his heart so he could wear it as a necklace.

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Expecting this project would take the entire class, I only had enough pieces pre-cut to allow one project per student. But once the sewing bug bites, there is no stopping the fever. I had some felt circles cut out of a fulled blanket in my project box. They were intended for a future class, but the students were voracious. They snatched up the circles and started to whip stitch them together.

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I will be sure to keep a stash of extra felt pieces for cutting and sewing in my project box as a go-to activity for the sprinters in my class.

Popsicle Stick Loom

In order to continue working those muscles necessary for fine motor control, my youngest class of fiber arts students embarked on a weaving project.

This fixed-warp loom was designed (and used with permission) by a student in my studio class. She glued together a frame of popsicle sticks and added three more sticks to create an immovable warp.

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Ever the innovator, this student decided he wanted to weave the middle of his loom last. I believe the eyelash yarn was intended to be the show-stopper holding court in the middle of the piece.20140202-121108.jpg

With little additional help, the students were able to fill their looms with colorful yarns. The beauty of this project is that it costs little in terms of materials and the prep can be done a few hours in advance. I assembled the looms the previous day. The downfall is that the weaving can not be easily removed from the popsicle sticks. This a single use loom.

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Drawing inspiration from a nest helper kit we hung in our cherry tree several years ago, I stuck some cast-off yarn cuttings between the weft. Birds and squirrels can pluck the fluffy bits out to pad their nest.

We read Three Billy Goats Fluff by Rachael Mortimer. This has to be the best reselling of this story I’ve read. I’m buying it for my story collection.

Stitching Burlap Rafts

To start off our class, I read The Raft by Jim LaMarche. This is a story of a boy who spends a summer with his grandma, exploring the river next to her home from a raft he finds drifting in the reeds on the day after his arrival. He experiences the animals that live in woods and play in the river from the vantage point of the raft, which helps him to gain an appreciation for this special environment.

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The boy’s raft is covered in illustrations of the woodland animals. Together we worked on illustrating rafts of our own.  The day before class, I glued four popsicle stitcks together to form a frame, then glued the four corners to a 6″ square of burlap. Working with blunt large-eyed needles I had pre-threaded with a bulky single-ply wool yarn, the students stitched the burlap to create a design on their raft.

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This student stitched his name, while another student created a trio of balloon/flowers for her brother, writing her birthday wishes around the perimeter of the popsicle stick frame.

Because the needles were already threaded, and the wool was bulky enough that it didn’t slip out of the needles (much), the students were able to work more independently than they have on previous projects. The glue didn’t hold on some of the rafts, but I deliberately used a common white glue so the burlap could be easily removed and another piece attached to the frame. The popsicle sticks made super inexpensive frames, much easier and more affordable than a class set of embroidery hoops.

Should you decide to this project, here’s a great tip for cutting burlap from The Felt Store. You should follow them on Twitter too. They’re full of great ideas and eye candy culled from the Interwebs.

Braiding Tails

Friday marked the beginning of the Family Learning Program’s winter session. We have a bustling class of 12 students this semester. To start, I read Henry The Dog With No Tail by Kate and Jules Feiffer. My daughter noticed that Jules is also the illustrator of the Phantom Tollbooth, and that Henry is based on a real Australian Shepherd, a breed without tails. This was the jumping off point for our project.

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Rug braiding has a venerable tradition dating back to a time when fabric was costly and time consuming to weave. Worn out clothes were torn into strips and braided into rugs. Our project introduced the basic elements of this process. My husband’s grandmother braided the hearth rug in this photo. When we moved from New Hampshire in 2003, I was fortunate to bring with us a tub of wool fabric torn into strips, ready to braid. It has been sitting in storage, waiting for a project like this. I imagine that Cecile would be thrilled to see so many eager hands learning with her fabric.

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The students sewed three pairs of strips, overlapping the ends, using heavy upholstery thread. We were fortunate to have several helpful parents in class to assist with threading needles, stitching and tying off knots. Once they had three long strips, students learned how to braid them together. Working in pairs, they took turns holding or braiding their strips. At the end of the first class, most students had finished sewing the strips of fabric, braiding and tying a ribbon around each end.

We meet for one hour, once a week. Considering our class size and the age of our students, one hour is a very long time and a very short time. It is hard to work on a project for an entire hour, and it is also difficult to help everyone get to the same point within that hour. There were six parents assisting in our class to give an idea of our student/teacher ratio.

When we met the following week, the students sewed several buttons  to a length of ribbon. Parents cut button holes in the ribbon and then helped the students sew their braided tails to the back of the ribbon. Sewing buttons was very challenging for the students. Many were frustrated by the complexity of holding the ribbon and locating the correct hole in the button. We will practice this skill again later in our session.

 

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Despite the frustrations in the moment, the students were thrilled with their new tails. They were swishing and swaying all over the classroom.

To reinforce the idea of re-purposing worn fabric, one of the parents read Something From Nothing by Phoebe Gilman while we stitched. Another version of this story is Joseph Had A Little Overcoat by Simms Taback.


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